Since her Sydney Film School graduation in 2013, Erin Latimer has been extremely busy.
Not only has she started her own production company, Permanent Ink Pictures with her brother and current Sydney Film School student, Justin Latimer, she has also continued her film study at the University of New South Wales. Erin is a great example of how the diploma obtained at Sydney Film School can compliment both past and future study. It opens pathways to more opportunities as well as broadens your filmmaking knowledge and understand each part of the process to work in different roles in the filmmaking process.
We thank Erin for taking the time to answer a few questions about her time at Sydney Film School and her study and film work after graduation.
by Nicole Newton-Plater
Q: What led you to choose Sydney Film School to begin your film study?
Q: How did Sydney Film School help you choose which area of filmmaking you wanted to specialize in?
Q: As you are now completing a Bachelor of Arts with majors in Film Studies and Creative Writing at University of New South Wales, how did your study at Sydney Film School help pave the way for further study?
Q: Do you think it is beneficial to study film and continue to progress your career in film at the same time?
Q: Do you find that the work you are doing often coincides with what you are studying?
Q: How was your production company, Permanent Ink Pictures established?
Q:Permanent Ink has a great connection with SFS, as you show on the company’s website and Facebook page. Do you find it important to pay homage to where you studied?
A. Almost everyone that contributed to the crowd-funding campaign knew me in person or knew someone else working on the film. It was great to see what a large network of support the project generated largely through social media and word of mouth. The Crush Space was a first for a lot of us….one of the lead actors was just stepping into film for the first time after starting her career in theatre for example and a number of the crew were university students or recent graduates of film school. So I think everyone was really eager to see the film succeed because of what it might be able to do for our careers.
Q. When you first started production on The Crush Space, you already had the goal of submitting it to film festivals in mind. What advice would you give to people wanting to submit their films into festivals?
A. Festival submission has been a big learning curve for Permanent Ink and we received a lot of rejections, but there was also quite a few achievements as well. We got into a new festival, Sydney Indie Film Festival, and received an award for Best Supporting Actress there. I would say do your research first, in pre-production, and have in mind which festivals you want to enter into and why and to focus on a small number of significant festivals that your film can be marketed towards.
A: In my first semester at Sydney Film School I was the director of a short documentary. The production went pretty terribly at first….my sound recordist was two hours late to a shoot, my producer didn’t show up to any meetings and so on. I went to Leslie Oliver, who was the director of the diploma course when I was at SFS, for help and he simply said, “If you care about it, it will get made.” And I did, and so it did. The Crush Space was no different. I cared a lot about the story and luckily found other people who did too. I sometimes hear people use the phrase “passion project” in a negative way as if it refers to self-indulgence, but from my experience on the amateur and low-budget indie film scene I would say that everything is a passion project because when there’s not always enough money to go around you have to fuel yourself in other ways. Being interested in what you’re creating is the biggest one.
Q: You have worked on the crew of music videos since leaving SFS including that of Samantha Jade’s “Up”. How is working on a music video different to working on a film?
A: Music videos are great fun as there’s always lots of room for experimentation. I’m personally drawn to music videos because as a writer I like the challenge of telling a story purely through images without dialogue, save the song lyrics if they’re at all related. My films are usually very dialogue-heavy so changing things up by making a music video usually results in something very different. Whether I’m directing or camera assisting or anything else, music videos are a great platform for trying new things and taking risks you might not think to take in a scripted short.
A: I finish my final semester at UNSW in June, after which I’m flying to California for 7 weeks to take a break and catch up with family and friends, as well as get plenty of writing done. I’ve been stewing on some ideas for a web series for quite a while so I’m looking to sit down and pen some drafts soon. As for my next short, I have a little comedy script I wrote back in 2012 during my first semester at SFS. I plan to take it out of the drawer and rework it a little and get it made in the near future. But once I’m back from the US the main goal is to start looking for some work in the industry. With a film school diploma and an arts degree at my fingertips…not to mention the desperation of a recent graduate waist-deep in debt…I’m confident that I’ll find some work I’ll love.